(ANSA) – ROME, MAY 23 – ” Yearly of battle has counted as a century of our earlier life. It truly is now not the case to return to these outdated tales, ” Eduardo De Filippo instructed the Roman public returning to performing in 1945 instantly after the Liberation, saying that he had deserted the outdated farces and the partnership together with his brother Peppino.
And he added that ” These ghosts ” information that debuted that night, ” has a primary act that’s linked to that style: the implications of battle seen by way of the lens of farce. However after you watch out, it’s the after that counts! ” Right this moment, in nowadays of world pandemic, these phrases resonate with their renewed sense.
For Eduardo, born on Might 24, 1900, precisely 120 years in the past, and subsequently naturally referred to as to signify comedies, tragedies, and consciousness of that tormented twentieth century, the period of the “ Cantatas of even days ” was over, the times that “we deluded ourselves had been serene”, and that of ‘Cantatas of the odd days’ The pure son of an incredible Neapolitan actor and creator, Eduardo Scarpetta, just like the brothers Titina and Peppino, with them created the Compagnia del Teatro Humoristico within the 1930s.
After the battle alone right here is the brand new Eduardo’s Theater with a collection of titles that instantly turn into well-liked, a mirror of Italy’s catastrophe and which is reborn, from ” Filumena Marturano ” to ” These ghosts ” or ” The mayor del Rione Sanità ”.